Waves Vocal Rider Vst
2021年9月9日Download here: http://gg.gg/vxz2v
Plugins for Vocals. From essentials like Vocal Rider and Renaissance Vox to favorites like CLA Vocals and Reel ADT, Waves offers a wide range of plugins for vocals to suit any singer or scenario. Waves Vocal Rider Crack is the first of Waves pioneering new series of Mix tools. As its name implies, it automatically rides vocal track levels. Instead of manually riding a mixing console fader, or tediously drawing in every level change on a DAW track, Vocal Rider does it for you, making it a true timesaver. Dec 11, 2014 Waves Vocal Rider VST configuration setup in Sonar I had some trouble remembering how to configure Waves Vocal Rider in Sonar X1 X2 X3 Platinum. After being unable to find the instructions via the site’s search tool, I decided to post this to the group as a searchable reference. From Waves Tech Support. Download Vocal Rider Vst Free - renewcollective. VocRider is a freeware vocal rider VST plugin developed by Terry West, providing smooth leveling of vocal tracks in relation to the backing tracks and the rest of the mix. Download Vocal Rider Vst Free Downloads. The plugin was built on a concept similar to the vocal riding workflow in Cubase. Vocal Levelling Plug-in [Mac OS/Windows]
No matter how many compressors we own, when it comes to getting vocal levels right, there’s no substitute for faders and hard work. Until now..
Vocal Rider in action, showing the resulting automation exported to a Logic track.
Vocal Rider is the first of Waves pioneering new series of Mix tools. Supports TDM, RTAS, Audio Suite, VST, AU. AudioMIDI United States; DontCrack Canada. Waves GEQ is a full-featured graphic equalizer plugin with both Classic and Modern mono and stereo components, featuring 30 ISO bands plus high and low.
How do you get a vocal to sit at the right level in a mix? You listen to the vocal level in the context of any instrumental backing, and make fader moves to keep the vocal balanced against the rest of the mix. This takes time, but invariably sounds better than bludgeoning your vocal to death with excessive compression. Now Waves have come up with a plug‑in that does the job for you in a very straightforward and elegant manner. Vocal Rider is a cross‑platform plug‑in available in TDM, VST, AU and RTAS formats, and works by writing automation data for its own level fader directly into your DAW. The standard Waves window bar is provided for saving and loading presets and for comparing between ’A’ and ’B’ settings. The plug‑in comes as mono and stereo versions and is protected by iLok; you can also download a demo to try before you buy.
Up to 24‑bit, 96kHz operation is supported, and the plug‑in works in real time so you don’t even have to ’learn’ the track first. The plug‑in has a side‑chain input, and the best way to follow the mix level is to route all the instrumental sources in the mix to a bus and then select that as the side‑chain source. Once you’ve levelled the vocal using Vocal Rider, you can apply compression more gently and more musically, using the plug‑in of your choice, as you no longer have to deal with large level variations.
It is necessary for the program to be able to differentiate vocals from background noise, which is where the Vocal Sensitivity knob comes in. This is, in essence, a threshold that tells Vocal Rider to ignore sounds below a certain level; a Ride/Idle activity LED lights when an above‑threshold vocal has been detected. Target sets the reference level range for your vocal using a transparent fader cap, which moves over a horizontal bar meter showing the vocal level. The time constants governing the speed of the fader are preset, but there is a fast Attack setting (which affects both the side‑chain and fader response rates) you can choose if you prefer the results it produces. Vocal Rider also includes Waves’ own breath‑detection algorithm, so that the plug‑in doesn’t turn up all the breath sounds.
The trick to getting the vocal to sit naturally in the mix is to adjust the Target and Music sensitivity controls after first setting the Vocal Sensitivity control so that only vocals are recognised and spill is ignored. Music Sensitivity determines the amount by which Vocal Rider reacts to the backing mix level, so if, for example, the song gets louder in the chorus, the vocal will also be lifted so that it doesn’t get buried. A sensitivity LED monitors the response to the side‑chain input. Another important control is the double‑headed Range Min/Max slider, which limits the amount by which the vocal can be turned up or down.
At the centre of the window is the Rider fader, which moves according to the input levels and the settings you’ve made, and it is this that is automated via your DAW’s automation system, according to the Automation Read, Write or Off mode buttons below. The Idle Arrow sets the value the Rider Fader will settle at when no vocal is detected. The DAW’s own automation must be armed separately when recording the fader movement, but otherwise, data is recorded in the the same way as for automating any other plug‑in. Last in the signal path is the Output gain trim fader and associated clip LED.Riding Lessons
The further you move the Target fader to the left, the more heavy‑handed Vocal Rider becomes.
Operation turned out to be very straightforward using Logic Pro 9 running on a Mac Pro. Vocal Rider is inserted on your vocal or vocal group track and the side‑chain input set to the bus to which the rest of your mix is routed. As the track plays, you adjust the Vocal Sensitivity, Attack and Instrument Sensitivity controls to get a subjectively even vocal level in all parts of the song, then adjust Target using its transparent fader cap. The yellow bar in the fader track shows the actual vocal level, and the further to the left you take the fader, the more severely the vocal level is controlled, as the target level is then lower. You can then use the output trim to adjust the overall vocal level to your liking. The Rider fader will move as the plug‑in does its stuff, even before you record its output as automation data, and you can fine‑tune the operation by setting the range faders to limit the amount of level cut or boost applied. When you’re happy that all is sounding OK, you can record the fader movement as automation in your DAW, which means that if you disagree with what Vocal Rider is doing at any time, you can go in and edit the automation data.
Girl tech vj 621 software driver free download mp3. Waves go to great lengths to explain that Vocal Rider is not a compressor and so does not introduce coloration. I can appreciate what they mean, as all gain changes are done using a fader rather than a VCA, FET or valve, though the end result is an automatic reduction in vocal dynamic range — which some would still define as a form of compression. The benefits of doing it in this way, though, are very real, as you don’t hear any of the side‑effects of a conventional compressor, and you can edit the results just as you might if you’d manually ridden the fader and recorded the movements.
The other plug‑in parameters can also be automated, but I found that if I adjusted any of these while the fader automation was being written, it disturbed Logic’s automation‑writing process, so it would be safest to automate any additional controls during a separate pass if this also happens on the DAW you are using.Waves Vocal Rider Vst (full+crack)
Use corresponding software for your serial number. Using the wrong version software will not work and will damage your radio. Rebate Forms, Programming Software, Drivers and Files for many of the models we sellWOUXUNPlease look at your Wouxun Serial number! FM serial numbers use FM software. Manual programming tyt th 9000.
I found Vocal Rider fairly intuitive in use and the results sounded very natural, allowing me to be more discriminating in the use of any compression subsequently added. To achieve the same level of consistency through manually writing automation data would be extremely time‑consuming and probably still wouldn’t achieve such precise results, so I don’t think I’m going too far in suggesting that this could be one of the most significant new ideas in plug‑ins since automatic pitch correction. And, like most good ideas, it seems entirely obvious when viewed with the benefit of hindsight. Alternatives
The obvious alternative is to do the fader moves yourself and record them as automation. However, Pro Tools users might also want to investigate Wave Rider from Quiet Art (http://waverider.quietart.co.nz). We’ll be taking a look at this in SOS soon.Pros
*Simple, elegant and effective.
*Reduces the need for heavy compression on vocals.ConsWaves Vocal Rider Vst Crack
*Some odd behaviour in Logic Pro 9 when trying to automate multiple controls in the same pass — not that you’d normally need to do this.Summary
A practical solution to vocal levelling that doesn’t rely on heavy‑handed compression.informationNative version £299.63; TDM version £599.25. Prices include VAT.
Sonic Distribution +44 (0)1582 470260.Native version $400; TDM version $520.
Waves +1 865 909 9200.Test Spec
*Waves Vocal Rider v1.0.
*Apple Mac Pro with 2 x 2.8GHz quad‑core Intel Xeon CPUs and 12GB RAM, running Mac OS 10.5.7.
*Tested with Apple Logic 9.1.Waves - a set of qualitative and perhaps most important of the most expensive plug-in processing. This kit has everything you need to control and audio information!Compressor, equalizer, maximizers, barrier, plug-ins for analysis, processing plugin vocals, guitar, drums and more. This bundle includes all the plugins that are available from the company and it may cover almost the entire spectrum of needs sound engineer and mastering engineer.This plug conventional divided into the following categories: Wave Modeling, Signature Series, Compressors, Gates, DeEssers, Limiters, equalizer, reverb & delay, Securities, Surround, Restoration, Vocal, Pitch & Time, Meter, Stereo Imaging, MaxxBass.Program Title: Waves PluginsYear: 2010Program Version: 7.1.1.6Developer: WavesPlatform: WindowsLanguage: EnglishSystem requirements:. Processor Intel Pentium 4 2.8GHz, AMD Athlon 64 or equivalent;. RAM 1 GB on XP, 2 GB on Vista / Windows 7;. Operating System WinXP 32-bit SP2 & SP3, Vista Business 32-bit SP1, Vista Ultimate 32-bit SP1, Windows July 1932-bit;. Screen Resolution 1024x768 32-bit.Waves offers DAE, AudioUnit and VST plugin for DigiDesign Pro Tools, Steinberg Cubase & NUENDO, Apple Logic Pro, Ableton Live, and popular. From the equalizer, reverb, and compressor for the Border, noise reduction, and surround sound, Waves has a plugin for your audio software. With more than 100 processors and more than 250 stars plugin components, complete features more Waves in one package than ever before!Waves Version 7 is the latest step in the evolution of waves. With enhanced compatibility across the board, increasing support for DAW and OS, and a host of new features, V7 Waves will bring your experience to new heights. There has never been a better time to update! 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Download here: http://gg.gg/vxz2v
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Plugins for Vocals. From essentials like Vocal Rider and Renaissance Vox to favorites like CLA Vocals and Reel ADT, Waves offers a wide range of plugins for vocals to suit any singer or scenario. Waves Vocal Rider Crack is the first of Waves pioneering new series of Mix tools. As its name implies, it automatically rides vocal track levels. Instead of manually riding a mixing console fader, or tediously drawing in every level change on a DAW track, Vocal Rider does it for you, making it a true timesaver. Dec 11, 2014 Waves Vocal Rider VST configuration setup in Sonar I had some trouble remembering how to configure Waves Vocal Rider in Sonar X1 X2 X3 Platinum. After being unable to find the instructions via the site’s search tool, I decided to post this to the group as a searchable reference. From Waves Tech Support. Download Vocal Rider Vst Free - renewcollective. VocRider is a freeware vocal rider VST plugin developed by Terry West, providing smooth leveling of vocal tracks in relation to the backing tracks and the rest of the mix. Download Vocal Rider Vst Free Downloads. The plugin was built on a concept similar to the vocal riding workflow in Cubase. Vocal Levelling Plug-in [Mac OS/Windows]
No matter how many compressors we own, when it comes to getting vocal levels right, there’s no substitute for faders and hard work. Until now..
Vocal Rider in action, showing the resulting automation exported to a Logic track.
Vocal Rider is the first of Waves pioneering new series of Mix tools. Supports TDM, RTAS, Audio Suite, VST, AU. AudioMIDI United States; DontCrack Canada. Waves GEQ is a full-featured graphic equalizer plugin with both Classic and Modern mono and stereo components, featuring 30 ISO bands plus high and low.
How do you get a vocal to sit at the right level in a mix? You listen to the vocal level in the context of any instrumental backing, and make fader moves to keep the vocal balanced against the rest of the mix. This takes time, but invariably sounds better than bludgeoning your vocal to death with excessive compression. Now Waves have come up with a plug‑in that does the job for you in a very straightforward and elegant manner. Vocal Rider is a cross‑platform plug‑in available in TDM, VST, AU and RTAS formats, and works by writing automation data for its own level fader directly into your DAW. The standard Waves window bar is provided for saving and loading presets and for comparing between ’A’ and ’B’ settings. The plug‑in comes as mono and stereo versions and is protected by iLok; you can also download a demo to try before you buy.
Up to 24‑bit, 96kHz operation is supported, and the plug‑in works in real time so you don’t even have to ’learn’ the track first. The plug‑in has a side‑chain input, and the best way to follow the mix level is to route all the instrumental sources in the mix to a bus and then select that as the side‑chain source. Once you’ve levelled the vocal using Vocal Rider, you can apply compression more gently and more musically, using the plug‑in of your choice, as you no longer have to deal with large level variations.
It is necessary for the program to be able to differentiate vocals from background noise, which is where the Vocal Sensitivity knob comes in. This is, in essence, a threshold that tells Vocal Rider to ignore sounds below a certain level; a Ride/Idle activity LED lights when an above‑threshold vocal has been detected. Target sets the reference level range for your vocal using a transparent fader cap, which moves over a horizontal bar meter showing the vocal level. The time constants governing the speed of the fader are preset, but there is a fast Attack setting (which affects both the side‑chain and fader response rates) you can choose if you prefer the results it produces. Vocal Rider also includes Waves’ own breath‑detection algorithm, so that the plug‑in doesn’t turn up all the breath sounds.
The trick to getting the vocal to sit naturally in the mix is to adjust the Target and Music sensitivity controls after first setting the Vocal Sensitivity control so that only vocals are recognised and spill is ignored. Music Sensitivity determines the amount by which Vocal Rider reacts to the backing mix level, so if, for example, the song gets louder in the chorus, the vocal will also be lifted so that it doesn’t get buried. A sensitivity LED monitors the response to the side‑chain input. Another important control is the double‑headed Range Min/Max slider, which limits the amount by which the vocal can be turned up or down.
At the centre of the window is the Rider fader, which moves according to the input levels and the settings you’ve made, and it is this that is automated via your DAW’s automation system, according to the Automation Read, Write or Off mode buttons below. The Idle Arrow sets the value the Rider Fader will settle at when no vocal is detected. The DAW’s own automation must be armed separately when recording the fader movement, but otherwise, data is recorded in the the same way as for automating any other plug‑in. Last in the signal path is the Output gain trim fader and associated clip LED.Riding Lessons
The further you move the Target fader to the left, the more heavy‑handed Vocal Rider becomes.
Operation turned out to be very straightforward using Logic Pro 9 running on a Mac Pro. Vocal Rider is inserted on your vocal or vocal group track and the side‑chain input set to the bus to which the rest of your mix is routed. As the track plays, you adjust the Vocal Sensitivity, Attack and Instrument Sensitivity controls to get a subjectively even vocal level in all parts of the song, then adjust Target using its transparent fader cap. The yellow bar in the fader track shows the actual vocal level, and the further to the left you take the fader, the more severely the vocal level is controlled, as the target level is then lower. You can then use the output trim to adjust the overall vocal level to your liking. The Rider fader will move as the plug‑in does its stuff, even before you record its output as automation data, and you can fine‑tune the operation by setting the range faders to limit the amount of level cut or boost applied. When you’re happy that all is sounding OK, you can record the fader movement as automation in your DAW, which means that if you disagree with what Vocal Rider is doing at any time, you can go in and edit the automation data.
Girl tech vj 621 software driver free download mp3. Waves go to great lengths to explain that Vocal Rider is not a compressor and so does not introduce coloration. I can appreciate what they mean, as all gain changes are done using a fader rather than a VCA, FET or valve, though the end result is an automatic reduction in vocal dynamic range — which some would still define as a form of compression. The benefits of doing it in this way, though, are very real, as you don’t hear any of the side‑effects of a conventional compressor, and you can edit the results just as you might if you’d manually ridden the fader and recorded the movements.
The other plug‑in parameters can also be automated, but I found that if I adjusted any of these while the fader automation was being written, it disturbed Logic’s automation‑writing process, so it would be safest to automate any additional controls during a separate pass if this also happens on the DAW you are using.Waves Vocal Rider Vst (full+crack)
Use corresponding software for your serial number. Using the wrong version software will not work and will damage your radio. Rebate Forms, Programming Software, Drivers and Files for many of the models we sellWOUXUNPlease look at your Wouxun Serial number! FM serial numbers use FM software. Manual programming tyt th 9000.
I found Vocal Rider fairly intuitive in use and the results sounded very natural, allowing me to be more discriminating in the use of any compression subsequently added. To achieve the same level of consistency through manually writing automation data would be extremely time‑consuming and probably still wouldn’t achieve such precise results, so I don’t think I’m going too far in suggesting that this could be one of the most significant new ideas in plug‑ins since automatic pitch correction. And, like most good ideas, it seems entirely obvious when viewed with the benefit of hindsight. Alternatives
The obvious alternative is to do the fader moves yourself and record them as automation. However, Pro Tools users might also want to investigate Wave Rider from Quiet Art (http://waverider.quietart.co.nz). We’ll be taking a look at this in SOS soon.Pros
*Simple, elegant and effective.
*Reduces the need for heavy compression on vocals.ConsWaves Vocal Rider Vst Crack
*Some odd behaviour in Logic Pro 9 when trying to automate multiple controls in the same pass — not that you’d normally need to do this.Summary
A practical solution to vocal levelling that doesn’t rely on heavy‑handed compression.informationNative version £299.63; TDM version £599.25. Prices include VAT.
Sonic Distribution +44 (0)1582 470260.Native version $400; TDM version $520.
Waves +1 865 909 9200.Test Spec
*Waves Vocal Rider v1.0.
*Apple Mac Pro with 2 x 2.8GHz quad‑core Intel Xeon CPUs and 12GB RAM, running Mac OS 10.5.7.
*Tested with Apple Logic 9.1.Waves - a set of qualitative and perhaps most important of the most expensive plug-in processing. This kit has everything you need to control and audio information!Compressor, equalizer, maximizers, barrier, plug-ins for analysis, processing plugin vocals, guitar, drums and more. This bundle includes all the plugins that are available from the company and it may cover almost the entire spectrum of needs sound engineer and mastering engineer.This plug conventional divided into the following categories: Wave Modeling, Signature Series, Compressors, Gates, DeEssers, Limiters, equalizer, reverb & delay, Securities, Surround, Restoration, Vocal, Pitch & Time, Meter, Stereo Imaging, MaxxBass.Program Title: Waves PluginsYear: 2010Program Version: 7.1.1.6Developer: WavesPlatform: WindowsLanguage: EnglishSystem requirements:. Processor Intel Pentium 4 2.8GHz, AMD Athlon 64 or equivalent;. RAM 1 GB on XP, 2 GB on Vista / Windows 7;. Operating System WinXP 32-bit SP2 & SP3, Vista Business 32-bit SP1, Vista Ultimate 32-bit SP1, Windows July 1932-bit;. Screen Resolution 1024x768 32-bit.Waves offers DAE, AudioUnit and VST plugin for DigiDesign Pro Tools, Steinberg Cubase & NUENDO, Apple Logic Pro, Ableton Live, and popular. From the equalizer, reverb, and compressor for the Border, noise reduction, and surround sound, Waves has a plugin for your audio software. With more than 100 processors and more than 250 stars plugin components, complete features more Waves in one package than ever before!Waves Version 7 is the latest step in the evolution of waves. With enhanced compatibility across the board, increasing support for DAW and OS, and a host of new features, V7 Waves will bring your experience to new heights. There has never been a better time to update! From time-domain effects to equalizers, from dynamics control to noise reduction, from guitar sound modeling to the sound of classical analog components, there never was such a comprehensive collection like this. Mercury Collection offers more effects, more channel components, more mixdown tools, more processors than ever before.Full list of plugins:Amp 2Cab MonoAmp M> SAmp MonoAmp StereoAPI 550A MonoAPI 550A StereoAPI 550B MonoAPI 550B StereoAPI 560 MonoAPI 560 StereoAPI 2500 StereoAudioTrack MonoAudioTrack StereoAxx Press MonoAxx Press StereoBass Pitcher MonoBass Pitcher StereoBuzz MonoBuzz StereoC1-Comp MonoC1-Comp StereoC1-Comp-Gate MonoC1-Comp-Gate StereoC1-CompSideChain MonoC1-CompSideChain StereoC1-DLA MonoC1-DLA StereoC1-Gate MonoC1-Gate StereoC-360 5 to 5C-360 5.1 to 5.1C4 MonoC4 StereoC6 MonoC6 StereoC6 SideChain MonoC6 SideChain StereoCenter StereoChorus M> SChorus MonoChorus StereoCLA-2A MonoCLA-2A StereoCLA-3A MonoCLA-3A StereoCLA-76 Blacky MonoCLA-76 Blacky StereoCLA-1976 Bluey MonoCLA-1976 Bluey StereoCLA Bass M> SCLA Bass StereoCLA Drums M> SCLA Drums StereoCLA Effects M> SCLA Effects StereoCLA Guitars M> SCLA Guitars StereoCLA Unplugged M> SCLA Unplugged StereoCLA Vocals M> SCLA Vocals StereoCompressor MonoCompressor StereoDeBreath MonoDelay M> SDelay MonoDelay StereoDistortion MonoDistortion StereoDLA MonoDLA Plus MonoDLA Plus MonoDLA Plus StereoDLA StereoDLA-XDLA-XLDLA-XLBDoppler M> SDoppler StereoDorrough MonoDorrough StereoDorrough Surround 5.0Dorrough Surround 5.1Doubler 2 M> SDoubler 2 MonoDoubler 2 StereoDoubler 4 M> SDoubler 4 MonoDoubler 4 StereoDoubler M> SDoubler MonoDoubler StereoEddie Kramer Bass Channel MonoEddie Kramer Bass Channel StereoEddie Kramer Drum Channel MonoEddie Kramer Drum Channel StereoEddie Kramer Effects Channel M> SEddie Kramer Effects Channel StereoEddie Kramer Guitar Channel M> SEddie Kramer Guitar Channel StereoEddie Kramer Vocal Channel M> SEddie Kramer Vocal Channel StereoEnigma M> SEnigma StereoEQ MonoEQ StereoFlanger M> SFlanger MonoFlanger StereoFuzz MonoFuzz StereoGate MonoGate StereoGate / Comp MonoGate / Comp StereoGTR Amp MonoGTR Amp Dual Cab MonoGTR Amp Mono to StereoGTR Amp StereoH-Comp MonoH-Comp StereoH-Delay MonoH-Delay M> SH-Delay StereoIDR360 5.1chIDR360 5chIR-1 Efficient StereoIR-1 Full StereoIR-1 M> SIR-1 MonoIR-360 Efficient Discrete 5.1 to 5.1IR-360 Efficient Discrete 5ch to 5chIR-360 Efficient Stereo to 5 Channel Discrete Surround processorIR-360 Efficient Stereo to 5Channel Sound FieldIR-360 Full Stereo to 5 ChannelSound FieldIR-360 Mono to 5 Channel Discrete Surround processorIR-360 Mono to 5 Channel Sound FieldIR-360 Sound Field 5.1 to 5.1IR-360 Sound Field 5ch to 5chIR-L Efficient StereoIR-L Full StereoIR-L M> SIR-L MonoJJP Bass StereoJJP Bass M> SJJP Bass MonoJJP Cymbals & Percussion StereoJJP Cymbals & Percussion M> SJJP Drums StereoJJP Drums M> SJJP Drums MonoJJP Guitars StereoJJP Guitars M> SJJP Keys & Strings StereoJJP Keys & Strings M> SJJP Vocals StereoJJP Vocals M> SKramer HLS Channel StereoKramer HLS Channel MonoKramer PIE Compressor StereoKramer PIE Compressor MonoL1 Ultramaximizer StereoL1 Ultramaximizer MonoL2 Ultramaximizer StereoL3 Multimaximizer StereoL3 Ultramaximizer StereoL3-16 Multimaximizer StereoL3-LL Multimaximizer StereoL3-LL Multimaximizer MonoL3-LL Ultramaximizer StereoL3-LL Ultramaximizer MonoL-360 5 To 5L-360 5.1 To 5.1LayD M> SLayD MonoLayD StereoLFE360 5.1 to 5.1LFE360 MonoLinEQ Broadband MonoLinEQ Broadband StereoLinEQ Lowband MonoLinEQ Lowband StereoLinMB MonoLinMB StereoLoAir MonoLoAir StereoLoAir 5.0-to-5.1LoAir 5.1-to-5.1M-360 Manager 5 to 5M-360 Manager 5 to 5.1M-360 Manager 5.1 to 5.1M-360 Mixdown 5 to 5M-360 Mixdown 5.1 to 5.1 Maserati ACG M> SMaserati ACG StereoMaserati B72 MonoMaserati B72 M> SMaserati B72 StereoMaserati DRM MonoMaserati DRM StereoMaserati GRP MonoMaserati GRP StereoMaserati GTi M> SMaserati GTi StereoMaserati HMX M> SMaserati HMX Stereo Maserati VX1 M> SMaserati VX1 StereoMaxxBass MonoMaxxBass StereoMetaFlanger M> SMetaFlanger MonoMetaFlanger StereoMondoMod M> SMondoMod MonoMondoMod StereoMorphoder M> SMorphoder MonoMorphoder StereoMV2 MonoMV2 StereoMV360 5.0 to 5.0MV360 5.1 to 5.1Octaver MonoOctaver StereoReverb MonoReverb M> SReverb StereoVolume Pedal MonoVolume Pedal StereoOverDrive MonoOverDrive StereoPanner M> SPanner StereoPAZ - Analyzer StereoPAZ - Frequency MonoPAZ - Frequency StereoPAZ - Meters MonoPAZ - Meters StereoPAZ - Position StereoPhaser M> SPhaser MonoPhaser StereoPitcher MonoPitcher StereoPS22 Split M> SPS22 Split StereoPS22 Spread M> SPS22 Spread StereoPS22 Spread (10) M> SPS22 Spread (10) StereoPS22 X-Split M> SPS22 X-Split StereoPuigChild 660 MonoPuigChild 670 StereoPuigTec EQP-1A MonoPuigTec EQP-1A StereoPuigTec MEQ-5 MonoPuigTec MEQ-5 StereoQ1 - Paragraphic EQ MonoQ1 - Paragraphic EQ StereoQ2 - Paragraphic EQ MonoQ2 - Paragraphic EQ StereoQ3 - Paragraphic EQ MonoQ3 - Paragraphic EQ StereoQ4 - Paragraphic EQ MonoQ4 - Paragraphic EQ StereoQ6 - Paragraphic EQ MonoQ6 - Paragraphic EQ StereoQ8 - Paragraphic EQ MonoQ8 - Paragraphic EQ StereoQ10 - Paragraphic EQ MonoQ10 - Paragraphic EQ StereoQ-Capture MonoQ-Clone MonoQ-Clone StereoR-360 5 to 5R-360 Compact 5.1 to 5.1R-360 Compact Mono to 5R-360 Compact Mono to 5.1R-360 Compact Stereo to 5R-360 Compact Stereo to 5.1R-360 Mono to 5R-360 Mono to 5.1R-360 Stereo to 5R-360 Stereo to 5.1RenAxx MonoRenAxx StereoRenBass MonoRenBass StereoRenChannel M> SRenChannel MonoRenChannel StereoRenComp MonoRenComp StereoRenDeEsser MonoRenDeEsser StereoRenEQ-2 MonoRenEQ-2 StereoRenEQ-4 MonoRenEQ-4 StereoRenEQ-6 MonoRenEQ-4 MonoRenEQ-6 StereoRenReverb Compact M> SRenReverb Compact StereoRenReverb M> SRenReverb StereoRenVox MonoRenVox StereoRenReverb M> SRenReverb MonoRenReverb StereoS1-Imager StereoS-360 Imager Stereo to 5.1S-360 Panner Mono to 5S-360 Panner Mono to 5.1S-360 Panner Stereo to 5S-360 Panner Stereo to 5.1SoundShifter Graphic MonoSoundShifter Graphic StereoSoundShifter Parametric MonoSoundShifter Parametric StereoSoundShifter Pitch MonoSoundShifter Pitch StereoSpring M> SSpring MonoSpring StereoStomp2 M> SStomp2 MonoStomp2 StereoStomp4 M> SStomp4 MonoStomp4 StereoStomp6 M> SStomp6 MonoStomp6 StereoSuperTap 2-Taps Mod M> SSuperTap 2-Taps Mod MonoSuperTap 2-Taps Mod StereoSuperTap 6-Taps Mod M> SSuperTap 6-Taps Mod MonoSuperTap 6-Taps Mod StereoSuperTap 6-Taps MonoSuperTap 6-Taps StereoTone MonoTone StereoTransX Multi MonoTransX Multi StereoTransX Wide MonoTransX Wide StereoTrueVerb M> STrueVerb MonoTrueVerb StereoTuner MonoUltraPitch 3-Voice M> SUltraPitch 3-Voice MonoUltraPitch 3-Voice StereoUltraPitch 6-Voice M> SUltraPitch 6-Voice MonoUltraPitch 6-Voice StereoUltraPitch Shift M> SUltraPitch Shift MonoUltraPitch Shift StereoUltraPitch-DLA MonoUltraPitch-DLA StereoUM225 Stereo to 5.0UM226 Stereo to 5.1Vibrolo MonoVibrolo StereoVocal Rider MonoVocal Rider stereoVolume Pedal MonoVolume Pedal StereoWahWah MonoWahWah StereoWaves Tune MonoW43 MonoW43 stereoWNS MonoWNS stereoX-Click MonoX-Click StereoX-Crackle MonoX-Crackle StereoX-Hum MonoX-Hum StereoX-Noise MonoX-Noise StereoZ-Noise MonoZ-Noise StereoDownload
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